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johnny says... I didn't read all of the comments, but did anyone see this spectacular sight as in the form of what we perceive angels to look like: This is sooooo majestic in appearance!
I didn't read all of the comments, but did anyone see this spectacular sight as in the form of what we perceive angels to look like: This is sooooo majestic in appearance!
Your message is quite special to me and I'm very touched by what you see in my work. I can't find the words to tell you how much I appreciate your insights and refined ability to communicate with artful eloquence.
From one artist to another, thank you, my friend.
Lucy
Mario John Borgatti says... Hi Lucy,
What an grand feast for the mind and eye you've created in this absolutely sublime painting, Sharpless 2-106. It held me spellbound as I perused the minute details, so perfectly executed, and their relationship to the stellar nursery you've meticulously recreated. That any artist could create such a spectacular image with acrylic medium on canvas might be incomprehensible to some---but not to those who have had the pleasure of viewing your prior work.
You have so many incredibly beautiful and expressive past works to your credit. I have to believe that you, like any artist, must entertain the fundamental question: What's next, is my best work yet to come? As long as an artist lives and breathes it's a question not easily answered. One of my favorite quotes, attributed to Leonardo da Vinci, is remarkable in that it describes you perfectly: "The painter has the Universe in his mind and hands." I know of no other person who is more representative of daVinci's "painter" than you. Your body of work is a testament to that.
I read Phil Plait's excellent article, and I noted his challenge to the reader. I really don't know how I feel regarding the "Tell Me" question. As an artist I always consider the subject as a point of reference between eye and hand. Interpretation, being personal, can produce endless and complex variations. To my way thinking the camera's lens is a poor substitute for the human eye. So, when I compare both images of Sharpless 2-106 in the article, I see a photograph---and a work of art.
That Hubble image, as wonderful and as expensive as it is, is still just that---a photo. However, Your painting of this image shows a reverence for the subject matter as purely as Leonardo did with his Mona Lisa. Comparing your painting to a Hubble image is an interesting exercise, but I think it's more about capturing the fleeting essence of the subject at a brief moment in time...And that, you've accomplished masterfully!
Ryan,
Thank you so much for taking the time to leave your very kind message. I appreciate you visit
Ryan says... I came here via Phil Plait's article on the year's best astronomy images on Salon, and WOW. You've managed to take something as breathtakingly ethereal as the birth of a star and turn it into a photorealistic painting that's so incredible it made me want to write this comment and tell you how amazing your work is! A brush belongs in your hand like a baby star belongs in a nebula.
I came here via Phil Plait's article on the year's best astronomy images on Salon, and WOW. You've managed to take something as breathtakingly ethereal as the birth of a star and turn it into a photorealistic painting that's so incredible it made me want to write this comment and tell you how amazing your work is! A brush belongs in your hand like a baby star belongs in a nebula.
What an grand feast for the mind and eye you've created in this absolutely sublime painting, Sharpless 2-106. It held me spellbound as I perused the minute details, so perfectly executed, and their relationship to the stellar nursery you've meticulously recreated. That any artist could create such a spectacular image with acrylic medium on canvas might be incomprehensible to some---but not to those who have had the pleasure of viewing your prior work.
You have so many incredibly beautiful and expressive past works to your credit. I have to believe that you, like any artist, must entertain the fundamental question: What's next, is my best work yet to come? As long as an artist lives and breathes it's a question not easily answered. One of my favorite quotes, attributed to Leonardo da Vinci, is remarkable in that it describes you perfectly: "The painter has the Universe in his mind and hands." I know of no other person who is more representative of daVinci's "painter" than you. Your body of work is a testament to that.
I read Phil Plait's excellent article, and I noted his challenge to the reader. I really don't know how I feel regarding the "Tell Me" question. As an artist I always consider the subject as a point of reference between eye and hand. Interpretation, being personal, can produce endless and complex variations. To my way thinking the camera's lens is a poor substitute for the human eye. So, when I compare both images of Sharpless 2-106 in the article, I see a photograph---and a work of art.
That Hubble image, as wonderful and as expensive as it is, is still just that---a photo. However, Your painting of this image shows a reverence for the subject matter as purely as Leonardo did with his Mona Lisa. Comparing your painting to a Hubble image is an interesting exercise, but I think it's more about capturing the fleeting essence of the subject at a brief moment in time...And that, you've accomplished masterfully!
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Oops, you forgot something.